My book is launched!

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The Pune Lit Fest this year was lovely. More so because my book The Gurukul Chronicles was launched by such eminent achievers!

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On Day 2, I was very lucky to have my book’s intro session moderated by the charismatic Dipankar Mukerjee of Readomania, who gave me many valuable tips on book promotion and marketing.

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And here’s the other winner from last year’s contest, Piorre Hart, along with my parents. Her book WHERE THERE IS A WILL is now available at Amazon.

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A big smooch for my best friend Maheshwari Thyagarajan and her daughter Kimaya who made the trip from Mumbai to Pune just to cheer for me as I walked up the stage 🙂

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Last but not the least a big shout out to Pune city for its awesome weather, parks and people! I love it a bit more every time I revisit, and how can one not – just take a look below at one of the fab parks that was near the place I stayed! More pics and details in the next post 🙂

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In Deccan Gymkhana, Pune

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When your room comes with a blessedly green view (complete with chirpy bird sounds) and you finally have the time to open that book you have been forever meaning to read, all the while keeping one ear cocked to soak in the rain splashing against the glass window and slowly, gradually, allowing yourself to get lost in the world created by a master storyteller…. I confess, this is certified nirvana for any writer (or reader!)

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As most of you know, I am in Pune now, to attend the launch ceremony of my debut novel, The Gurukul Chronicles. I will also be speaking about it and reading excerpts on Saturday afternoon at Pune Litfest! I love meeting fellow writers and readers, so do Contact me if you are in Pune and want to connect 🙂

 

P.S.: I and my parents are staying at this cute Treebo property off Bandarkar Road, which boasts a fabulous jogging track right next to it. I just about swooned today morning as I walked in the middle of the track, with tall trees and bamboo around me, the temperature being a cool 23 degrees. More pics will be posted soon 🙂

One year later…

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Exactly 365 days ago, this happened. My debut novel THE GURUKUL CHRONICLES won the manuscript contest at Pune International Literature Festival!

PILF 2016 Winner announcement

That’s me on the far right, in the beige kurta top, receiving the good news from Infosys co-founder Narayana Murthy (standing next to me is Piorre Hart, the other winner of the manuscript contest).

And now, the book is published and available on Amazon! Here’s the cover page :). Do join me for its official launch at Pune on Sep 8, 2017, at the inaugural session of PILF 2017, to be held at YASHADA, Pune. 

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Interview: Bragadeesh Prasanna, Novelist

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Bragadeesh Prasanna, author of 300 Days, is a beloved member of the writing group WRITERS’ INK, which I moderate in Chennai. Recently, he completed the first draft of a short novel called Waterboard, a 46000 word novel in the span of 18 days! Here’s a peek into his writing habits and methodology:

Can you tell us how you wrote a first draft in such a short time? This is even better than NaNoWriMo where people aim to write 50000 words in 30 days! Did you write consistently every day? Or did you have ups and downs?

Waterboard happened out of the blue. I had lost some of my memories and was totally dependent on few people to tell me what is what. I had been thinking about different scenarios which could happen in future, if I don’t rectify it. That was how Waterboard happened. Writing is therapeutic to me. I was going through one of the toughest phase in my life last August and the only solace I had was writing. I wrote every day and I didn’t care about the word count. Some days I clocked 10K words and some day, just 800 words. Sprints helped too.

 What is your fav time to write?

5.30 to 7.30 in the morning works for me. I do my morning pages first and then start working on the word document. Somehow the words flowed this time and there were no hiccups

 Do you use only laptop to write? Did you take backup every day?

Yes I use only laptop. I send email to myself after my two hour writing session. Partially because I could open and read it in office or in my mobile whenever I had time.

 Any favorite writing rituals that specially works for you?

Long walks. It may sound narcissistic. There is a speech assistant in iPhones. I’d convert the document to epub and feed it to ibooks and then I would start my walk in the evening, usually 4Kms, listening to it. I sometimes changed the whole chapters, sometimes I liked what I wrote. But the walks helped a lot. And the artist’s way morning pages do help. I am not doing anything in artist’s way except for the morning pages. But it brings a good flow.

 How do you make sure no one interrupts you when you are writing?

Advantages of being a male. I lost my phone, so that was a blessing. Plus when I am at laptop my parents as well as colleagues don’t disturb me. They know I cannot bear distractions until 9 AM and so they respect my mental space, I guess (which is great!). Till then dad supplied unlimited coffees and generally encouraged me.

Did the entire first draft come to you in one single flow? Did you have a outline beforehand?

I really wanted to outline. But I couldn’t. I just wrote it in a single flow. Sometimes it was frustrating because I knew there was something interesting coming up in the following chapters but I had to type fast and I couldn’t wait to get there. This was weird but good weird.

What do you do when you get stuck? Usually, people leave the WIP alone for some days and then revisit it again… clearly you didn’t employ this method. What’s your secret?

When I get stuck, I read. I have a bunch of books in my mobile and laptop just so that I can get inspiration. For this novel, the movie The Eternal sunshine of the Spotless Mind ran in loop for the inspiration sake. The story line was somewhat similar to waterboard but the way people reacted in the novel was totally different.  But it gave me a lot of ideas.

Waterboard is actually based on your personal experience, viz., your memories of accident. So can it be termed as autobiographical?

Waterboard has elements that happened to me – but not exactly. We all go back and go forth with the question “What if”. The novel is result of that question. Though I wanted to keep it as natural as possible, I had to write some scenes/situations I had never faced. I just had to imagine, what would I do or the person with my condition do if he was put in such a situation. I am not sure if it can be termed autobiographical. Biographical maybe, because I had to move away from me and look at me.

Do you think you can write a fully fictional story also in this same manner, that is, within a month?

I think I can. That is what I am trying to do with the next one, which is tentatively named as Amar Chitra Katha. But as I dwell on the story and the idea I bring up so many situations which will increase the word count. But I think it is definitely doable.

Any inspiring words for those who want to write consistently every day?

Check out morning pages. It gives us motivation to write every day. It would be very difficult to hold on to it initially, in the first two weeks. It was difficult for me during that initial period, but now, when I turn back I had been writing for five months every day in the morning. As a result, it doesn’t feel weird when I sit in front of the laptop. I never have to face a blank document again.

To indulge or rein in?

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Earlier today I had a conversation with a writer friend.

Her: What do I do, during my first draft’s resting period? You know, when I have finished typing THE END and then walk away from the manuscript for a week (or three)?

Me: Ideally, you should also take rest. Authors need rest too!

Her: But shouldn’t I make use of this rest time productively– like, working on my next novel – outlining, perhaps?

Me: I don’t see why. I personally think, after working for months, you’d deserve a little break. Not just for health’s sake, of course, but also so that your mind is completely fresh; when you go back to your rested draft, you can do full justice to the editing process…

Her: But sometimes I get really good ideas only when I am working on one project…

Right.

This brought me to a scene I read in some long forgotten novel. The child wanted to keep playing into dinner time, and when his mom protested that it’s too late, he erupts into a howling… and this woman (the adult, with real, justifiable power), terrified of being shouted at or “hated” by her own child, pleads with the child to see reason but ultimately allows him to do whatever the tantrum-throwing munchkin wanted to do…

Let’s forget the fact that there is a whole room of background story behind this plot, and just concentrate on the scene. And substitute ‘child’ with ‘muse’.

How many of us really try to discipline our muse?

Not many. Otherwise my friend would not have felt like she ought to have listen to her muse – which is what we call the talent or inclination that makes on write (or sculpt or paint), without analyzing the pros and cons. Since I myself have been in the same position many times – proof is the N number of unfinished projects in my computer – I now saw what I ought to have seen a long time back.
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My muse is not my friend.

My muse is not God.

My muse is… a child.

A brilliant child. A child with astonishing possibilities and magical capacities. But… a child nevertheless, who needs to be taught certain concepts like routine and discipline.

Chiming in here for a good word about Julia Cameron, who calls the muse as the “inner artist child” who must be indulged every week.

Now, indulgence is a very tricky word.

Investing in a Lindt bar, one of the best chocolates in the world, and eating it after a hard week’s work, on a Saturday night, listening to some jazz and reading your favorite author – that’s indulgence. A bloody good one.

Stuffing your face with three bars of commercial grade Snickers, after a heavy meal, feeling guiltier by the minute – also indulgence, but well, sad, too.

You should definitely not let your inner muse grow a hollow stomach. But the problem is when we do not know what the line is, between starving it and over indulging it.

Your inner muse may say, “Wow! You have finished a draft! Submit it asap so that everyone can see what an awesome writer you are and treat you like royalty!”

Your inner muse may say, “Who needs feedback or language classes? You can write a clear sentence that is simple enough for the common man in India to read, that’s more than enough. You can always pay someone to clean up your writing.”

Your inner muse may say, “This project that is half done now is boring! I want to do something else NOW! I WANT I WANT I WANT!”

Doesn’t mean it’s right. Doesn’t mean you should do it.
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There is a reason why the artist and her talent/muse/whatever name you give it are fused together in the same body. Each needs one another. The muse infuses the human with the magic of creativity and fills the hole in her artist (the reason why artists are only happy when creating and sour like a lemon when they are not). In return – this is a very vital point, often underestimated – the artist also feeds the muse, by giving the muse the ambience, exposure and nourishing she needs (this includes but not limited to education, travel, creative play, everyday sadhana etc)

Not many practice this symbiotic relationship with the right balance.

Nobody’s to blame here, really. If anything, I blame this society of ours which raises our kids with almost zero respect or practice of their true artistic abilities. There are no special tuition classes or regular workshops in the syllabus for arts, are they? (And no, I do not consider colouring books or clay making to be practice of a true artistic ability.) We are full adults before we discover that our artistic ability needs attention. If by luck, if our profession and passion align in the same field, then great! That’s the ideal scenario, though. Most often than not, especially as writers, we are able to work on our pet projects only sporadically. “Whenever I get time” seems to be the mantra.

No wonder we do not know that our muse needs a regular time table. No wonder we don’t know how exactly we should treat this special talent.

As an aspiring artist, we do not dare to control this muse of ours. We don’t dare to question it, make it sweat, challenge it. We are so grateful to it, we feel so blessed to be gifted this talent, that we walk around egg shells when it comes to demanding our muse to perform regularly. It’s why, when it comes to writing every day or writing several books a year (like many, many professional writers do), we wait like a humble servant for the Emperor to make his appearance, rather than behave like a scowling newspaper editor who wanted the article YESTERDAY.

This is also the same reason why feelings of disgruntlement, anguish, frustration, general dissatisfaction in life and nervous breakdowns are rampant amidst artists and writers (I don’t see this from, say, bank or government employees), because it really is a tough to job to reign in a truant muse or make her perform when you want her too. It’s almost like a cartoon, where you fight with yourself.

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But that’s the good news about adulthood. You can learn. Starting now.

Learn good practices of your art. Read. Read crafts books, and articles on the art and practice of regular art, be it writing or painting. Read Eric Maisel’s books. Read Julia Cameron’s books. They are among the few books in the world that actually teach you how to live as a creative artist. Experiment with various genres, techniques and stick to the one that gives you the most joy. Accept that this is hard work, don’t get sucked in the marketing/sales quicksand, and move on to the next phase of creation: using your good sense logic and preference find out the right working methods that work for you.

And be very clear that what the muse needs, is a firm hand.

A Mom who says, gently but firmly, “Enough! You listen to ME now. I make the rules, and I expect you to obey me.”

A Dad who says, “Why thank you, Muse, for that fantastic idea! I am going to make a note of it right here, but I am not going to start working on it until I finish my current project.” Or, “Yeah I know I can write, but I don’t want to be just one among the rest, I want to be GREAT, so I am going to wait for some time before I rush into self publishing.”

Like all spoilt children, your muse may rebel first. She might throw tantrums – just when you want to work, you might get this itchy nudges of “Should I not clean the house before sitting to write?” or “I am feeling so bored, restless… Perhaps I should start another project.” You may even get physical rebellion like headaches or stomach upset. Your mind/muse (sometimes these two are in the same sphere) has incredible power over your actions – it’s perfectly capable of giving you actual pain during this disciplinary process.

If you give in now, then you are back to square one.

All parents know that boundaries work only as long as you are there on the periphery, guarding it. So guard yours.

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Remember that you cannot be a one book wonder. Or a one art piece exhibitor. Or someone who can only write (transcribe) about their own life experiences. You are an artist only as long as you keep creating, variedly and getting better. And yes, you need to train your muse to show up regularly and to adhere to the techniques that work for you.

A child disciplined in the right way grows up to be a good human – not a perfect one, but a good one, and sometimes, true goodness is much better than perfection, right? Give your muse the same care, and watch it repay you for your hard work in unbelievable future dividends!

To My Young(er) Writer Friends

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Yesterday, one of my lit friends carpe-diemed and blogged all her inner angst about the unique and mind-bending fears that face a writer these days. Now, it’s always tricky to have a discussion on such a topic, with someone who is convinced that they are suffering the right pain. Often the messenger is shot or beheaded or eaten alive.

Or, horror of horrors, a fate worse than death (apparently, going by what one of my ex-friends did to me recently), unfriended on FB.

But the doubts are ringing in from every corner, from various acquaintances, and I don’t like repeating things, so here is the link I am going to send you every time one of you asks me a similar question! I am also going to borrow some gyan from Elizabeth Gilbert, author of Eat Pray Love, whose awesomest advice on writing can be read here – http://www.elizabethgilbert.com/thoughts-on-writing

 

  1. Why is writing not making me rich (or make my ends meet)?

I don’t know which moron told these kids that writing is a good way to earn money. Newsflash: IT’S NOT. You want to make money, take up corporate management or architecture or data analyst jobs in night shifts. Or work your ass off as a small business owner (restaurants are doing pretty well these days). Or be a born genius who can create a social media empire and retire at 25.

But please, do not write (or self publish) short stories or novels because you want to earn money. Don’t expect your art, your writing talent, to be a money making machine. It does not work that way. At least, fiction doesn’t.

If you are into nonfiction, then you have cause to cheer. It’s certainly possible to make money from NF, provided you are skilled at it and do all the right things. If you want to freelance for magazines and newspapers, then get a job in the field or start on your own, and approach it like a business – set up a home office, show up on time (you can be in your PJ’s), be disciplined, plan each day, query query query, learn how to balance your sheets, do your 8 hours work every day, pay taxes. This is how people make a living.

People do not make money by passion alone. If anybody says so, they are lying.

 

  1. Why is writing for money not making me (really) happy?

Well if you are pimping your talent for peanuts, of course it’s not going to make you happy! Come on! Seriously? You have this amazing God-given gift and you use it to write for content mills? Talk about using a Samurai sword for scratching an itch! What a waste. What a crime. What a dangerous act to the soul.

Now, the solution is simple. Just write only the stuff that you want to and love to write, for money.

It’s not a sin, writing for money. We all need and like having money. I write for money. A client paid me a lot of money to write a hundred scripts based on Indian folklore. Another client paid me even more money to edit his novels. The magazine I work for now, pays me to write a travel column. In each instance, I earned money, doing what I love – writing. And so can you.

But you need to know what makes you happy and avoid what doesn’t. The last bit is important (which is why it’s bold and italicised)

Business copywriting is not my forte (I have done it and it made me miserable) so I stay clear of it. Even if somebody promises to pay me a hell a lot of money for it, I will not do it. And this is how I preserve my integrity and sanity. Don’t accept something you know you hate, just because it brings in the money. I know it’s tempting – and in some cases it’s possible to rise up to the challenge and discover you survived the ordeal, but most of the times, You WILL suffer at the end. And it will slow down the speed of your progress. That’s why I particularly abhor content mills. They kill your creative soul.

So, learn to say no to distractions like these when you are shaping the career path you want to go on. If you like certain types of writing, then build your resume to that level. That’s how careers are made. Cultivate the skills that are needed to get you projects you want to work on. You like writing human interest features, go out in the world and look for stories and pitch. You want to work for newspapers? Start as an intern and work your way up. You want to write a novel? Buckle up, read craft books, and write every day. Don’t know how to? Join a class or get a mentor.

Do something, anything, to remove yourself from a frustrating corner. But after all that, if you still are not happy, may be you need to ask yourself – do you really want to be a writer?

 

  1. Why does quitting my day job for writing seem like a big mistake?

Because it possibly is.

There are only five reasons to leave a job:

  1. If you absolutely hate your job and you can afford to lose it, i.e., you already have another job offer (hopefully, a better one) or going back to college
  2. You have saved up nicely, and you are finally ready to escape the boss-employee world and follow your dream career.
  3. You have somebody to support you financially, so that you are free to pursue your passion (this is a slippery slope, so take care!)
  4. You are unwell, and cannot work.
  5. Your life is in danger (perhaps your next cubicle neighbour has revealed a plan to murder you)

If you didn’t quit your job for any of the above-mentioned reasons, you are in trouble.

Nobody jumps into the sea without a failsafe arrangement! You shouldn’t, too. If you left your job without making any provision at all for your current expenses, without a proper plan of how you would be earning money, then you are a fool. Sorry. You are. I advise you to get another job asap. But first read what Elizabeth Gilbert says:

I have a friend who’s an Italian filmmaker of great artistic sensibility. After years of struggling to get his films made, he sent an anguished letter to his hero, the brilliant (and perhaps half-insane) German filmmaker Werner Herzog. My friend complained about how difficult it is these days to be an independent filmmaker, how hard it is to find government arts grants, how the audiences have all been ruined by Hollywood and how the world has lost its taste… etc, etc. Herzog wrote back a personal letter to my friend: “It’s not the world’s fault that you wanted to be an artist. It’s not the world’s job to enjoy the films you make, and it’s certainly not the world’s obligation to pay for your dreams. Nobody wants to hear it. Steal a camera if you have to, but stop whining and get back to work.”

So. Get back to work, either to your new career or old job. But just get back to work… because every minute you spend moaning or worrying is a minute wasted, an opportunity to learn lost.

 

  1. How will I pay for marketing my book if writing does not pay well?

Don’t pay for it. Don’t put yourself in a position where you have to pay for it. My dear Millennials… You are what, 23, 25, 27? Don’t get into publishing now! My goodness, this is the time you should be kicking up a storm and experiencing life, not worrying about marketing and Kindle sales. Trust me, once you get on the M(arriage) wagon, things will change. Once the next C(hildren) train and then the EMI train comes along, all your writing (and non-writing, I am sad to add) goals will go for a toss. This is why you should not waste your single years! Listen to ole’ Radhika aunty!

Ah I know you guys won’t listen. Still, it’s my duty to say this.

And I often suspect that some are so keen on selping because they have a little too much money in their hands. Is that true? You can tell me. I can be discreet. And I will give you some super, free advice. If you do have too much $$, don’t spend it on selping your book and making Motion Press rich. Use it to study advanced creative writing (we know you already covered the basics!), buy yourself a coaching package from a writer you admire or get a flight ticket to Bali or Paris, rent a studio and write. (I especially recommend that you do the last option and take me along with you. You will get the coaching part free!)

Or you can give me some of your money. Really. I will save it for your future. I promise.

Don’t be an impulsive shopper when it comes to your writing. Don’t purchase it, for God’s sake. Don’t blog about writing or speak about writing or dream about writing. Do it. Write. Just write. Bloody hell. Stop the incessant blogging, stop ranting, stop all the time sucking stuff and just write. Do only the stuff that will help you become a better writer. No, that does not mean you hire an editor to clean up your writing – it means, you learn how to write better. It means you take lessons in writing, take lessons in grammar, it means you ask for and listen to feedback from others about your writing, it means you become a Bride of Writing.

Like Elizabeth Gilbert did. She says, “I believe that – if you are serious about a life of writing, or indeed about any creative form of expression – that you should take on this work like a holy calling. I became a writer the way other people become monks or nuns. I made a vow to writing, very young. I became Bride-of-Writing. I was writing’s most devotional handmaiden. I built my entire life around writing. I didn’t know how else to do this.”

And this is what I say: Don’t kill the budding genius in you by the feeding it the wrong food – and that includes poison.

 

  1. Should I have contacts then, to succeed – or marry someone who will love me enough to gift me a publishing house?

Um, no. Well, yes, to the marrying a person who loves you, but no to the entire idea of accepting or expecting such a gift. You can be a writer, or a publisher. Not both. Not now. Not in your mid-20s. I know there are a lot of successful self-published authors out there – kudos to them! – but they all had well-written, enjoyable books that people loved to read. Nobody can market and make a bestseller of a bad book.

And contacts do help, but only to a certain point.  That is, only if you have the goods in good condition.

So, the first step is, simply, to learn to write books that can be enjoyed. And that, my friend, can take a lifetime. I have been learning for the past ten years and I am not sure if I have even scratched the surface. That’s why I am so confused why some writers expect their first or second book to be great and well liked and minting money. That’s like a 5th standard student aiming to write a thesis. You don’t grow a tree in minutes. I know Bonsai is beautiful, but still, it will always be stunted. You definitely don’t want to be perceived as a passable, but limited writer.

BTW, I do know a chick who married a rich guy who gifted her a publishing house with her pony tail on its official logo, didn’t get anywhere in life until she decided to be a writer, not a publisher. So there you go.

 

6. But there are so many bad books out there, earning good money!

Yep. The mafia earns good money too.

Stop comparing, please! If he can publish, why can’t I? If he eats snot, why can’t I? Well, why don’t you cite the examples of folks like Amitav Ghosh or Anuja Chauhan who do write great stories and sell a lot, instead of citing the all the mediocre books written by best selling authors? Shouldn’t we be looking up, rather than down and following them?

I know there are a lot of silly books in the market – but think… is that the kind of fame you want? Then you should not read this post anymore. All you need in some money and a clever PR strategy and you can be an author who gives book reading and book launch appearances, and you can go ahead and kill good literature.

Because that’s what will happen, if anybody with money and some basic language skills can publish a book. Imagine a hospital filled with doctors who did not bother to learn their skills properly, but just rush through the basics so that they can start operating and saving lives asap. God help their patients, right?  Would you go to such a doctor if you’re ill?

It’s no different in the literary field.

Of course there’s nothing wrong in selping your book – I have one myself – but it comes with its own landfalls and responsibilities, just like any other path you take in life. Deal with it. All paths have thorns in them. Just make sure you selp a book that makes the reader exclaim, “Wow, what a loss to the trad publishing, this guy is right to selp it!”, and not, “No wonder he selped it, who in their right mind would have accepted it!”

Here’s the thing – and I find that young writers always are shocked on hearing this – just because you are able to finish a piece of writing does not mean it is good enough to be published (please don’t tell me your friend or relative or dog said it’s so). There is a thing called practice and there is a saying that you have to write a million words before you can be considered good in your language.

Writing does not come in an app on your iPhone. You have to work hard for it, not for a day, not for a month, but for years and perhaps, decades.You want to write a good book, be prepared to spend time mastering your craft. No shortcuts, sorry.

Finished one novel? Start another, instead of spending all your time marketing the first one. Not every word you write will be a gem and anybody who says otherwise is a nincompoop. Keep writing and making mistakes and learning. when you do have a book in your hand, you cannot expect the cushy breeziness of a traditional publishing (Yay Penguin1 accepted my book!) but the ease and coolness of a self-publisher (I want my book published yesterday). It’s always one or the other.

Sorry to sound like your Dad (or Grand-dad), but they are not wrong, you know. You will always realize it, often too late, that they were right on most things. Life always balances itself out. Gain some, lose some. This is a bitter lesson to learn, yes – even I would have the shot the messenger who attempted to tell me this when I was younger. But it’s the truth. The sooner you accept it, the quicker you will climb out of the pit and onto the path.

 

7. Will I ever get published/bestseller status?

That’s a question no one can answer. Well, they can – they can tell you to go to a vanity publisher and voila! You will be published.

I won’t say that, though. But I can tell you this – Don’t write to get published. That’s setting up yourself to a difficult life, especially in these difficult times. I know this may sound harsh, but it’s what I say every writer who comes my way. Stop expecting the adoration and the fame of being a writer. You cannot buy it with your bank account. You have to deserve it. You have to earn it. And that happens only when you write every single day without expecting to reap rewards later.

I recently lost a big project, one I was working on for more than eight months, commissioned by a reputable publisher too. Not a paisa was paid. I felt sad for a day, okay may be two, but then I moved on. Because it’s not my loss. It’s theirs. I will always have my writing. The book that is now in limbo – it has taught me so much, in terms of research and storytelling. It’s a stepping stone to the next level of excellence in my writing life. And only because of that consolation, I was able to move forward. Otherwise, it would have crippled me.

And that’s why you should not rely on the rewards.

Writing is about exploring the truth hiding inside you, about touching another’s soul with yours, about changing another person’s life with yours. And that’s something that won’t happen to a deadline or can be ‘treated’ by a clever marketing strategy. There are always exceptions, but remember: You are the rule, not the exception. Not until you prove yourself. And you do that by… yes, writing well.

And ask yourself – do you love writing or do you love the idea of being a writer? The latter is okay, really it’s okay to dream, to feel pride in your talent, but without the love of writing, without the discipline and self awareness, you are going nowhere. You may have your brief moment in the sunshine, but it will fade away pretty soon. The Gods of Creativity do not let fakes be in their world for long.

 

8. Are you telling me not to write anymore? That I don’t know anything about writing?

Heavens, no! That’s not the reason why I spent all this time writing this mammoth blog post! All I am saying is, write for the right reasons.

Don’t write because it makes you feel cool. Write because you love writing and you’d rather not do anything else.

Don’t write because it is in right now. Write because you have a part of yourself that is dying to get out in a creative way.

Don’t write because you (think you) can write good English. Write because you simply swoon in ecstasy when you create worlds and characters.

Don’t write because if A or B can write, so can you. Write because you are happiest when you write (not when you get published – although seeing your published book sure is something else!).

Know why are you writing and then give your writing space to breathe and expand. Not giving enough room to your writing to grow or mature, yet expecting it to shine like Aishwarya Rai or bring in the moolah like a Rajini movie in box office is insane. Don’t be that way! Research, learn, read (good books), ask for critique, and take the feedback without crying or sulking.

Many young writers really think writing is just transcribing (or, as my dear friend Nish would say, vomiting) from your memories or what you feel at the moment and then editing it so that it has a beginning, middle, end. No. That’s not what it is about. What it is, is a doorway – but to where?

To, my friend, a goddamn journey. It’s the frickin cupboard to Narnia. To a lonely, isolated, maddening but incredibly amazing world. No point in asking or ranting or raving why it is so – it just is. Everyone onboard will realize this in the first leg itself. And some quit, but most proceed, because they are too hooked. And like all journeys it will take time. Perhaps – to me at least, writing is the most wonderful journey in the world – so don’t just focus on the rainbow at the end of it. Stop following trends, stop asking for reassurance. Don’t keep dreaming about the colours of the rainbow and lose the beauty of the journey.

About all, listen to what your writing says to you, and it will help you. Everything you want to know, your writing will tell you. And if you give it the help it needs from you, in the form of discipline (writing every day), respect (don’t pimp it please) and nourishment (classes, retreats, critique groups), it will give you every riches you have ever dreamed off, things better than any kind of money.

That’s all there is to it.

A Writer’s Day Out

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So that’s one item ticked off in the bucket list!

I am talking about the two days I had spent in Madurai this month, with over 25 young women who attended my workshop “A WRITER’S LIFE”. I was also the Keynote speaker and chief guest at Arcadia, the annual day of the Literature department at Lady Doak College; it was a fabulous experience, not only because I love talking <cough*preaching*cough> to young minds, but also because it gave me a peek into the current reading habits of Young India (South Indian edition).

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Here’s what I learned:

  1. New adults (17-22 years old) like to read love stories. They all have read Chetan Bhagat, Ravinder Singh and Shakespeare.
  2. No, they do NOT want to read meaningful, poignant literature. They prefer books that can give them a break from reality.
  3. Only a few of them have read Tolkien (!!!). Yes, they prefer realistic fiction to fantasy.
  4. Most of them know about Kindle and a couple of them have actually self-published their works online.
  5. In my keynote address, I spoke about David Copperfield and Jane Eyre being YA books (of their time) and the teachers heartily agreed.
  6. The students clapped a lot and took selfies with me. I felt shy, proud and old.
  7. All of them have promised to read YA fiction, and were quite thrilled about it!

Moral of the story: Write love stories with happy endings. Save the angst for another audience!

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